Implications of Preservice Teachers' Perceptions of the Visual Arts for Educator Preparation: Measuring Grammatical Person Usage in a Survey

Implications of Preservice Teachers' Perceptions of the Visual Arts for Educator Preparation: Measuring Grammatical Person Usage in a Survey

DOI: 10.4018/IJCDLM.2021070102
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Abstract

This study addresses preservice teacher perceptions of their experience with the arts. Implications are explored for how educator preparation programs might address an art course for generalist or multiple-subject teachers. This study adds to the literature on perception of art from K-8 generalist multiple-subject teachers by applying a discourse analysis to a survey of preservice teachers' (n = 37) perceptions of their experience with art in school. The survey was administered at a public university in the United States with questions asking participants to briefly explain their perceptions and experiences with the fine arts and how the fine arts are integrated into teaching practices. This study addresses the following question: How do preservice elementary teachers conceptualize the fine arts? Recommendations are made for educator preparation programs.
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Purpose

This study addresses the following question: How do preservice elementary teachers conceptualize the fine arts? Based on these perceptions, what are potential implications for efficacy? Essentially, this researcher’s approach to arts integration had been based on the concept that every generalist K-8 preservice teacher—those not studying for an arts endorsement—was to use the arts across the multiple-subject curriculum based on everyone identifying themselves as “creative,” not necessarily as artistic.

The discourse analysis of preservice teacher perceptions of the fine arts adds to an understanding the importance of encouraging arts integration. This is in context with Frawley’s (2013) essay advocating for aesthetics education for preservice K-8 teachers to encourage efficacy with arts in a lower risk environment than what was perceived as the more technical system of fine arts courses. Oreck’s (2004) study of multiple-subject K-8 teachers’ efficacy with the arts essentially advocated for an aesthetics education course, as well, to encourage an environment where teachers integrate the arts across the general K-8 curriculum.

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