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What is Totalitarianism

Examinations and Analysis of Sequels and Serials in the Film Industry
A form of government that subordinates all spheres of human life through ideological manipulation, coercion, and oppression.
Published in Chapter:
The Analysis of Kobayashi's The Human Condition Trilogy by Referring to Arendt's Storytelling
Senem Yıldırım (İhsan Doğramacı International Advanced Studies Center, Turkey) and Önder M. Özdem (Başkent University, Turkey)
DOI: 10.4018/978-1-6684-7864-6.ch017
Abstract
In the Prologue to The Human Condition (1958), Hannah Arendt writes about her surprise at humans' desire to escape from their human condition. That same year, Junpei Gomikawa's autobiographical World War II novel titled The Human Condition was published and served as the basis for Kobayashi's film trilogy The Human Condition (1959-1961). The concurrent release of these critical works with the same title in distinct intellectual spheres is not coincidental. Personal encounter with totalitarianism is the basis for that intellectual reaction. In line with this argument, this study analyzes the narration in The Human Condition trilogy by referring to Arendt's literary approach. Moreover, the use of cinematographic factors is examined to depict the main character Kaji's struggle to stay 'human' in the face of a totalitarian and oppressive world.
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