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What is Timurid Art

Cultural Encounters and Tolerance Through Analyses of Social and Artistic Evidences: From History to the Present
Art activities that took place in the Timurid state from the end of the 14th century to the beginning of the 15th century, in the region that covers Central Asia and Eastern Iran and today's Afghanistan.
Published in Chapter:
The Encounter of Iran and Anatolia Over Baba Nakkas Style Tiles and the Reflections of the Style Today
Lütfiye Göktaş Kaya (Karabük University, Turkey) and Zübeyde Uzun (Karabük University, Turkey)
DOI: 10.4018/978-1-7998-9438-4.ch012
Abstract
Migration, as a result of wars, economic crises, natural disasters, and epidemics, has been the leading factor for cultural encounters in the historical process. Artists, who migrated sometimes as prisoners of war and sometimes to find more suitable markets, caused the introduction of new formations by transferring their styles during migration. In this study, the authors discussed the Baba Nakkaş style in Ottoman tile art and aimed to establish a link between Timurid Style and Baba Nakkaş Style. It examined how Baba Nakkaş interpreted his knowledge, which he brought with him from the Khorasan region to Istanbul via migration, under the Ottoman identity. The reflections of this new and now “Ottoman” style on other fields such as the art of bookbinding, illumination, calligraphy, and wall painting are also examined. The other part of the study demonstrates how this style from the 15-16th century is approached by today's artists. The study deals with both the Iran-Anatolia encounter and the 15-16th century Baba Nakkaş Style and the 21st-century repetition of the style.
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