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What is Prosumption

Handbook of Research on Advanced Research Methodologies for a Digital Society
Is a process that involves both production and consumption without focusing on either one. In case of selfies the producer is often the direct consumer-viewer of the photograph.
Published in Chapter:
Social Identity Seeking and Sharing as a Creative Activity of Art Consumers
Jitka Cirklová (University of Finance and Administration, Czech Republic)
DOI: 10.4018/978-1-7998-8473-6.ch044
Abstract
The chapter offers an overview of dynamic processes changing the role and place of museums and art galleries in our societies. After many decades of being static displays of things, they are now changing into places of interaction and communication on a variety of levels. The text is presenting some current patterns of developing a sense of collective belonging and also it is looking at the communication processes between institutions and visitors with a focus on the role of digital technologies and social media in the process of preserving, narrating, and sharing the object of art and beauty. The purpose of this chapter is to provide a framework for further research on digital practice linked with contemporary social identities and art institutions that are a significant social institution with public value and the ability to link the local cultural heritage global context.
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More Results
How Could Egyptian Young Adults Detect False Information About COVID-19 on Social Media Platforms?
It is a term proposed by Chen and Wang (2018) AU119: The in-text citation "Chen and Wang (2018)" is not in the reference list. Please correct the citation, add the reference to the list, or delete the citation. mixing between two words “producer” and “consumer” to measure two dimensions of new media literacy “Functional Prosumption” and “Critical Prosumption.”
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