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What is Hollywood Renaissance

Handbook of Research on Contemporary Approaches to Orientalism in Media and Beyond
The concept expressing the change and transformation that Jordan Peele initiated on the big screen with his award-winning masterpiece Get Out , which was released in 2017, in favor of African Americans in the USA.
Published in Chapter:
Analyzing Jordan Peele's Get Out With Fanonism: Tracing Postcolonialism in Hollywood Representations
Nurdan Akiner (Akdeniz University, Turkey)
DOI: 10.4018/978-1-7998-7180-4.ch005
Abstract
The colonial discourse racially defined the others and distinguished between people regarded as barbarous, infidels, and savage, such as the inhabitants of America and Africa. The formal abolition of slavery has not been the solution for Blacks, but they have often been subjected to the domination of sovereign ideology at different social life levels. The dominant ideology in USA is also influential in representing Blacks in the cultural industry. This chapter examines the 2017 film Get Out, directed by Jordan Peele, as an example of the recent diversity positive trend in Hollywood. Peele is the first Black screenwriter to win the Academy Award for Best Original Screenplay. The film was analyzed by Roland Barthes's semiotics theory and Frantz Fanon's critical theory Fanonism. This research shows that Get Out is truly a Black renaissance in Hollywood. The signs of racism skillfully placed in the film were analyzed by focusing on denotative and connotative meanings, and the racial oppression faced by African-Americans throughout history was revealed by regarding Fanonism.
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