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What is Comedy

Multidisciplinary Perspectives on Media Fandom
Preponderance of humorous or comedic scenes.
Published in Chapter:
Foreign but Familiar: Genre and the Global Korean Drama Fandom
Kathryn Hartzell (Georgetown University, USA)
Copyright: © 2020 |Pages: 26
DOI: 10.4018/978-1-7998-3323-9.ch006
Abstract
The global rise of the South Korean entertainment industry, commonly described as the Korean wave or hallyu, has been the subject of scholarly study because it presents a challenge to Western media hegemony. This chapter uses mixed methods to assess how hybridized genre conventions and familiar storytelling structures in South Korean television dramas create a media product that is accessible to a diverse fandom. The Korean drama fandom extends beyond Eastern Asia and the Asian diaspora, and there is a dearth of research on this larger global audience. Theories of cultural proximity are insufficient to explain a popularity that transcends culture and language. The importance of a media text's structure is also under-studied in research on fandom. By combining survey data from Korean drama fans living outside of South Korea with a critical assessment of the use of melodrama and other genre conventions in Korean dramas, this chapter argues that the shared symbolic language of genre plays an important role in building a global fanbase.
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More Results
The Transformation of Sociological Criticism Into Comedy With Satire Narrative: The “Hababam Classroom” (Hababam Sinifi) Sequels
It is a comedy narrative. It is a type of narrative based on humor that aims to entertain and make the audience laugh.
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Finding the “Funny Bone” in the Class Skeleton
Entertainment genre with the focus of audience laughter.
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