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What is Disjunction (Device)

Handbook of Research on Translating Myth and Reality in Women Imagery Across Disciplines
These devices introduce a disjunction, within the fragment itself, between the exemplum evoked in the quatrain and the vice that is condemned, insofar as the exemplary figure no longer represents the sin dealt with at the three levels of meaning. This disjunction generally takes place between the gloss and the allegorical commentary.
Published in Chapter:
Christine de Pizan: Myths and Processes of Humanizing and Valuing Women
Maria Helena Marques Antunes (University of Lisbon, Portugal)
DOI: 10.4018/978-1-7998-6458-5.ch016
Abstract
In creating her own particular style and legitimizing her status as a literary woman, a reflection on the female condition emerges from her work. This chapter considers two key texts: Cité des dames and Epistre Othea. The author's aim in the latter may not initially seem to be the exploration of women's dignification, since we are dealing with a text in which a goddess, called Othéa, teaches the young Hector morality. The creation of a new female mythological figure, however, establishing a parallel with Plutarch, as well as the positive reappraisal of some mythological characters reveals that Epistre Othea implicitly proposes a reflection on female rehabilitation. The introduction into this corpus of Ovide moralisé and the 15th century translation of Boccaccio's De mulieribus claris, which served as a reference for Pizan, is therefore highly significant.
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