Carl Jung realized that dreams were intelligible projections from unintelligible (unconscious-archetypal) dimensions of Psyche and that “insight”—on the part of his patients—relative to the “meaning” of symbolic dream images could heal his patients. Students of Jungian therapy have extended this dynamic of “projection” to the “waking dream”, Criminology, Forensics, synchronicities, Shamanic/Gnostic experience, memory, creative fantasy, guided imagery, and every aspect of the media-field as an authentic dynamic for “meaningful evolutionary insight”. Applied with modern Artificial Intelligence (AI) algorithms, the projection of optical patterns of light in the media-field can be interrogated for discovery of unconscious sources of cultural psychosis, the harmonization of archetypal EM patterns (complexes), and the resolution of cultural crises.
Published in Chapter:
Dramatic Premise and Human Purpose: Has First Cause Intention and Democratic Rule of Law Been Trumped?
Stephen Brock Schafer (Pacific Rim Enterprises, USA)
Copyright: © 2022
|Pages: 24
DOI: 10.4018/978-1-7998-8884-0.ch003
Abstract
Carl Jung's therapy is based on the dramatic structure of dreams, and current neurobiology and semantics confirms that drama—as defined by Plato—is the electromagnetic (EM) pattern of human reality. Therefore, fractal universal structure may be perceived in everything—“as above, so below”—and First Cause morality and intention can be correlated with contextual human purpose. Dramatic premise is a common denominator that integrates all of the dramatic components (plot, character, exposition, and lysis). First Cause Intention trickles down to personal harmony of purpose, but FC morality has always been problematic for humans. What part does evil play in the drama of human-cultural morality? Due to the significant difference of scale, human “contextuality” must be factored into the equation for moral behavior. Today's artificial intelligence (AI) algorithms for media technology can be used to foster authentic FC “coherent entrainment” according to Carl Jung's ratio between archetypes of the unconscious and their relatively conscious projections as archetypal representations (AR).