Reimagining the Audience-Dancer Relationship Through Mobile Augmented Reality

Reimagining the Audience-Dancer Relationship Through Mobile Augmented Reality

Patrick Pennefather, Claudia Krebs, Julie-Anne Saroyan
Copyright: © 2020 |Pages: 23
DOI: 10.4018/978-1-7998-3669-8.ch006
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Abstract

The research and development of an augmented reality (AR) application for Vancouver-based dance company Small Stage challenged a team of students at a graduate digital media program to understand how AR might reinvent the audience-dancer relationship. This chapter will chronicle the AR and choreographic development process that occurred simultaneously. Based on the documentation of that process, a number of insights emerged that dance creators and AR developers may find useful when developing an AR experience as counterpart to a live dance production. These include (1) understanding the role of technology to support or disrupt the traditional use of a proscenium-based stage, (2) describing how AR can be used to augment an audience's experience of dance, (3) integrating a motion capture pipeline to accelerate AR development to support the before and after experience of a public dance production.
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Technology To Enhance The Proscenium-Based Stage

While contemplating the use of emerging technologies like Augmented Reality (AR) to reimagine audience interactions with a performance, we need to understand two inter-connected forces. The first and most influential informing how dance is perceived, is the traditional staging of dance and other art forms including theatre that continues to dominate the performing arts scene; a perspective that creates a clear distinction between performer(s) on stage and a captive audience watching them. The second is how contemporary dance forms have been captured and represented through a variety of different media including photography, film, video, 360 video, and sensor-based technologies.

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