Diversity or Uniformity: Existing Demands and Representation Problems in Emoji as a Visual Language

Diversity or Uniformity: Existing Demands and Representation Problems in Emoji as a Visual Language

Selin Süar Oral
DOI: 10.4018/978-1-7998-7180-4.ch029
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Abstract

Emoji is a Japanese term that reminds users in the digital world about history, community, attitudes, appearances, economics, and politics while texting. This study aims to address identity representations that are focused on the demands of distinction in the postmodern era and offered by emoji in the digital world. The thesis also attempts to challenge whether the structure of multiple identities is feasible in the postmodern era and/or whether identities are re-uniformized in a symbolic language.
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Introduction

Communication, which is at the basis of relationships between people and is necessary to learn, teach, understand, tell, influence, influence, and/or share, stems from the individual's need to address someone or something. Language, the key point of communication, is a compulsory field of compromise and a social product adopted by society. Besides, language, defined by linguist Ferdinand de Saussure (2001) as a “system of signs”, is in a reciprocal relationship with culture and includes the types of traditions and customs (social norms), ways of thinking and living, especially institutions such as culture, society, and family. Visual communication, which proceeds through images and symbols, also enables the establishment of visual language as a form of expression and description.

The subject, who is the founder and reader of images in the Modern Age, has gained prominent importance, and language and representation have become integral parts of the identity approach. The interactions, relationships, and communications of identity with the self and the other have advanced at the level of language and representation. In the modern period, the subject defined the “other” from his point of view and used representations by combining and fixing complex data under a single roof. Thus, the concept of image that underlies the visual language has a structure that refers to something but is perceived in a transcendent way.

The penetration of the internet in every area, the widespread use of messaging apps and social networking sites, and the fact that the person is online in all sorts of environments have often caused the language used to be insufficient to express emotions with the digital revolution that has taken place. By allowing distinct discourses, behaviors, and roles in the identity-building process, modern communication technologies are successful in seeing, perceiving, and shaping the identities of users in different ways. More than ever, the need for simpler and quicker communication has introduced signs and symbols to frame social life, and emojis have been integrated as products of symbolic language in this process. Emojis are based on parameters that define the personality of a person, such as a gender, ethnicity, and occupation, as well as facial expressions, cultural markers, and/or categories such as food and drink, behavior, travel, locations, objects.

This research aims to explore how identity is produced through emojis in Modernist and Postmodernist processes, how it is viewed, and how it came into being. Another aspect of the debate is whether the symbolic language created and placed into circulation by new technology provides a space of freedom for individuals while at the same time providing them with a space of freedom around the identities to which they believe they belong. Another topic that contributes to the debate of how much it brings to the fore the inequalities, the fractured structure, the people who can not make their voices heard, and to what degree it can put this into circulation in digital media, is the transformation of the concept of identity, which is on the agenda again in postmodern discourse.

Key Terms in this Chapter

Symbol: A mark or character used as a conventional representation of an object, function, or process.

Social Science: The scientific study of human society and social relationships.

Digital Communication: Electronic transmission of information that has been encoded digitally (as for storage and processing by computers).

Stereotype: A widely held but fixed and oversimplified image or idea of a particular type of person or thing.

Identity: The fact of being who or what a person or thing is.

Image: A representation of the external form of a person or thing in art.

Communication: Communication is simply the act of transferring information from one place, person, or group to another.

Post-Modernity: Postmodernity or the postmodern condition is the economic or cultural state or condition of society which is said to exist after modernity.

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