Directors, who become a source of thought production and discussion with the films they shoot, take cinema beyond being a mere artistic form and become a philosophical consciousness producer by producing images. This study covers cinematic philosophy, which emerges by combining two different disciplines, cinema and philosophy. Cinematic philosophy aims to reflect on the nature, meaning, aesthetics, ethics and human experience of cinema. Studies carried out in this direction try to understand how cinema works as an art form, how it affects the audience, and what meanings it contains in social, cultural and philosophical terms. This book is catered towards academics and students in social sciences and humanities, Academicians and students of the cinema and philosophy department, and moviegoers